Massimo
Paracchini received the Milano”
International Prize” on Tuesday 25th July in the gorgeous location of the “Teatro Dal Verme”, an historic landmark in Milan, during a day dedicated to the
combination of art and culture. The
Award consists in a precious engraved plaque, personalized with the description
of the artist’s merits and in a catalogue presenting his stylistic profile with reasons for admission signed by Vittorio Sgarbi and also a short text by the art critic Sandro Serradifalco
with biographyical notes on the artist.
During the award ceremony – at the
“Teatro Dal Verme”- there was a video
exhibition of the painting which had
been selected by an art commission
presided over by Vittorio Sgarbi.
The notable award was addressed to
the most influential representatives of contemporary art, respectively for
sculpture, photography and painting. The artists who took part in the event had
the opportunity to meet Vittorio Sgarbi and to follow a unique happening full
of emotions thanks to a “Lectura Dantis” by Moni Ovadia (writer, scholar, actor
and film director) and thanks to a performance of the play “Slurp” by Marco Travaglio (journalist,
pamphleteer, director of the newspaper “Il Fatto Quotidiano”.
The first edition of the “Arte
Milano” International Prize is aimed at promoting Italian contemporary art and
was created to give international
visibility to the best artists, those who stand out for their creativity and
precious work and whose work daily contributes
to enrich the artistic scenery. This was a unique event, a real “cultural
rave”, which had as protagonists a limited selection of artists from all over
the world. The scenario was among the most beautiful in Milan, the gorgeous
Teatro Dal Verme, the best of culture and theatrical performance of the season
2017. The happening was organized by EA Editors, Palermo.
The Teatro Dal Verme is one of the
historical Milan theaters, which was once used
not only for plays and opera performances but also for political
debates. Today it is primarily a venue for concerts of classical, rock, jazz
and symphonic music. It annually hosts
some events of the festival “La Milanesiana” with the presence of writers,
philosophers, musicians and exponents of the international cultural scenery.
During its “golden years”, the theater saw the world premières of works by
Puccini, Leoncavallo. It also saw the Italian first performance of Lehar’s The
Merry Widow and it was also the venue for some performaces of the Futurist
plays by Filippo Tommaso Marinetti. Arturo Toscanini and Pietro Mascagni had
their debuts in this theater.
Painting by Massimo Paracchini
selected by the Art Commission.
Title of the work : “ Free Sprinkling
Overflowing and Sparkling in Kromotrance in Venice in the Hyperelliptical
Perspective of the Hyperdimensional Shapes of A Mental Summer”.
Oil on board, 80x60.
Work description.
Every artist, in his careful
analysis of the world, can start from tangible reality, from what in philosophy
is called “phenomenon”, as it is perceived
by our four senses, and thus he can merely represent the world as it appears,
according to a parabolic geometry. Nevertheless
his search becomes more interesting when he starts from an “idea”, from an
image conjured up by his power of vision which can create “possible worlds”,
intersected by the infinite curvilinear,
wavelike motion of the soul and
of the mind which interact with the circular vortex of the Universe according
to a hyperelliptic geometry, giving origins to an absolute cosmic dynamism,
which amplifies the perspective and opens a door towards the Infinite, crossed
by a flowing vibration of chromatic, hyperdimensional energy in free sprinkling
overflowing and sparkling which is able
to transfigure reality and change it
into a true universal song.
Let every colour dance freely on the white canvas, transmute every image
belonging to a mythical Arcadian – Euclidean world, now outdated, in a pure
contemporary vision, crossed by the swirling Hyperelliptical and Hyperdimensional
geometry of the Universe, by means of a progressive transcendental Kromotrance that suddenly projects every
artist in a completely ecstatic dimension thanks to that free and magic
Kromoalchemical Sprinkling that transforms everything and that is named Free
Sprinkling Overflowing and Sparkling, to get to the final phase of the absolute
Transatomization of any represented object. This allows us to grasp the truer
and deeper essence of all things, to realize a vision by means of an alchemic
process of pure Kromosynthesis, which will take us to a new suspended and
timeless visual dimension with a Transcendental Kronotrance.
As a second Orpheus the artist
gets into the underworld of his soul in
order to find the true essence of things,
trying to defeat the hourglass of time
and history and he often comes back defeated, grasping in his hands only a few
straws of gold, to which he manages to give permanence.
From
“Transcendental Eidetic of Art” by Massimo Paracchini
Artist biography: Massimo Paracchini, From Alchemic – Cosmic Free
Sprinkling to Free Sprinkling
Overflowing and Sparkling.
Massimo Paracchini was born on March 5th, 1962 in
Borgomanero, Novara, Italy.
As a child, he
studied Art at Professor’s Rinone’s Studio and then got a Degree at the Faculty
of Arts and Humanities of Turin. Starting with representational art, he evolved
towards expressionism, cubism and conceptual art. He elaborated different
theories of artistic creation, such as “Cosmic-Alchemic free Sprinkling”,
“Eidetic and Visionary Trans-Futurism”, “Primordial-Chromatic
Trans-atomization”, “Thought and Soul Interference”, “Hyper-elliptic and
Hyper-dimensional Geometry”, “Free Sprinkling Overflowing and Sparkling”,
“Wavelight Lightning”, “Alchemic, Dynamic
and Orphic Kro-metamorphosis”, “Chromatic Crushing of the Alchemic
Space”, “Chromatic Energheia”, Astra-geometrical Espressionism” and
“Trans-geometry”,“Kromotrance”,“Kronotrance”, “Kromohypnosis”,”Kronohypnosis”,“Kromoenergy”,
“Kromogenesys”, “Centripetal and centrifugal force and
motion”,”Kromoexplosion”, “Kromoexpansion”.
His subjects range from animals, still natures,
landscapes and portraits to nudes and abstracts.
Techniques: acrylic, oil, tempera, mixed media.
The artist’s paintings are in the Marketplace directed by Vittorio Sgarbi (www.bebopart.com/it/artista/493-Massimo-Paracchini)
and on exhibition at Nelson Cornici Art Gallery in Vercelli, Noli Art Gallery,
in Noli (Savona) and Auction House
Meeting Art in Vercelli.
He is present in the most important Italian art
catalogues and he is appreciated by
Italian art critics such as Paolo Levi, Salvatore Russo, Sandro Serradifalco, Elena Cicchetti and Tiziana Tamburi.
