Massimo Paracchini will be present in
New York for the exhibition entitled " New York. Art & Freedom” from
27th September to 15th
October 2018 with the video exhibition
of some of his abstract and informal works at the Saphira & Ventura
Gallery, 4 W 43rd St Suite 416, between the Fifth and the Sixth Avenue, in the beating heart
of New York.
Within
the framework of the great events hosted in New York in fall, Italia Arte, Museo MIIT and Galleria
Folco organized the exhibition entitled "New York. Art & Freedom” which
will be held from 27th September to 15th October 2018 with vernissage at 18.30.
The Saphira & Ventura Gallery is one
of the historical galleries of New York,
located between the Fifth and the Sixth avenue, has been active active for many
years and has important connections and offices located between Singapore, Sao
Paulo and Paris.
The event is organized in the context of
a series of international exchanges between the MIIT Museum and other
international cultural and artistic institutions and within the first European
Year of Cultural Heritage to which the MIIT Museum adheres with its 2018 exhibitions.
The exhibition will present a selection
of authors from all over the world and chosen by curators, gallery owners,
critics, art historians and journalists of the Scientific Committee of the MIIT
Museum in Turin.
With free collaboration and patronage of:
Cultural Association Galleria Folco -
Museo MIIT - Turin - Museum of Memory - Lipari - Museum Ugo Guidi - Forte dei
Marmi - Friends of the Museum Ugo Guidi - Forte dei Marmi - Art Gallery of Beltrani Palace - Trani - Zhou Brothers Art
Center Foundation - Chicago - ICAS - New York - 33Contemporary Gallery -
Chicago - AmArt Gallery - Brussels - MACA Museum – Acres
Media partners:
Italia Arte - Traspi.Net - News in a
Click - Aspim Europa
Technical partners:
Reale Mutua - LT Consul
Massimo Paracchini’s works in video exhibition
1) Title: Vortex in Kromoexpansion on Alchemical Orange in Free Sprinkling Overflowing and Sparkling
Mixed media on canvas with folds applied on board
Size: diameter 85 x 1 cm
Year 2018
2) Title: Full Alchemic White in the
Raised, Hyperelliptical and
Hyperdimensional Movements of the Universe : Re-Genesis
Mixed media on canvas with folds applied on board
Size: 70 x 100 x 1 cm
Year 2018
3)Title: Kromoexplosion in Kromotrance on Alchemical Orange in Free Sprinkling Overflowing and Sparkling
Mixed media with folds applied on canvas
Size: 80 x80 x 2 cm
Year 2018
4) Title: Free Sprinkling Overflowing and Sparkling on Kromoexplosion in Kromotrance on Alchemical Red embossed in a straight line
Mixed media on canvas with folds applied on canvas
Size: 80 x80 x 2 cm
Year 2018
5)Title: Spinning Vortex in Kromoexplosion on Alchemical Yellow in Free Sprinkling Overflowing and Sparkling
Mixed media on canvas with folds applied
on canvas
Size: 80 x 80 x 2 cm
Year
2018
Commentary:
Deflagrations in alchemical Kromoexplosion that arise from the deep abysses of the artist-creator’s soul and mind in Kromotrance and that spread everywhere with infinite chromatic energy, overwhelming every known form, disrupting and dematerializing it in order to project it again towards another primordial Kaos in the fluent, vibrant, overdimensional dawn of artistic re-Genesis.
Vortex in Kromoexplosion, pure cosmic energy from which everything originated through a twisting motion that comes from dynamic twists taking its origins from a central point, when from the Kaos of Free Sprinkling Overflowing and Sparkling will rise to a new and abstract shape, curved in an ever evolving movement.
In hyperelliptic geometry and cosmic dimension there is a continuous overdimensional interaction with the inner world of the
artist. If on one hand the form opens to infinity like a spiral that from its center expands in the universe, on the other hand it immediately closes up and goes backback to its origin, in a continuum that sometimes can generate meandering which cross the whole work making it particularly vibrant in its curvilinear movement.
We need to become visionaries to the ultimate power in order to reinvent the world with the colors of freedom, poetry and love.
The artist will have to become a visionary to transcend the Euclidean
Arcadian world, its nature and its history, in order to tend towards the outer
limits of reality and catch a glimpse of something which goes beyond it thanks to his almost
magical touch; he will be led to a transcendental consciousness by an
alchemical Free Sprinkling which will
allow him to transmute every simple image into a metaphysical and cosmic
vision.
As a new Orpheus the artist descends into the underworld of his inner
soul to seize the pure essence of everything, trying to defy the hourglass of time and history and he
often returns defeated, clutching in his hands only a few straws of gold that
he manages to make eternal.
I see colors in Free Sprinkling
Overflowing and Sparkling on every image
pulsating with life. I cross the world
to capture all the images, the colors, the vibrations of the soul and turn them
into living poetry.
Free Sprinkling Overflowing and
Sparkling is the pure expression of the natural and primordial instinct of the
artist who can transform every image, every sensation, every emotion into pure
artistic vision.
Free Sprinkling Overflowing and Sparkling
is the most magical and free color sprinkling
on the represented image that comes out of everyday life and ordinary
reality to become an absolute vision because it is skilfully dematerialized and
transfigured by the artist.
In the magical Free Sprinkling
Overflowing and Sparkling everything is poetry, freedom and beauty.
Free Sprinkling Overflowing and
Sparkling is the true revolution, a pure expression of the natural instinct of
the soul and of the body, mind and heart.
Through Free Sprinkling Overflowing and
Sparkling I have transformed every too
precise form of reality into an artistic vision. So I found again that magical
and primordial chromatic harmony that disrupt
every reasoning and every human evaluation!
The Alchemical Free Sprinkling
will eventually become Overflowing and Sparkling because through it the artist
must transmute every simple image into a
pure cosmic vision and must open a door to
transcendental knowledge; just like
hermetic alchemy - which was intended to transform base metals in gold, a symbol of light and
absolute perfection - he will overcome the last boundaries of reality,
by projecting every image into a cosmological perspective where the energy of
heaven enters forcefully into the quiet life of daily existence and by
subverting every order and rule.
Through his Free Sprinkling
Overflowing and Sparkling and his
continuous alchemical research the artist can reach a condition of
kromohypnosis, that is the experience of
a Kromotrance in which there will be the loss of sensory orientation in
the Arcadian - Euclidean world in order to enter another transcendental vision,
in which he will reach a condition of Kronohypnosis, that is of suspension or
loss of the sense of time, which will become infinite, eternal and will bring
him into a conceptual, totally abstract, interior and subjective dimension.
In every work of art,
the artist will have to seize the dynamic vibrations of the fluctuating
Universe in a continuous Alchemic Krometamorphosis; going beyond the classical
laws of the three-dimensional space deriving from the Arcadian – Euclidean
tradition, he will reach a completely new dimension, a-temporal, infinite,
eternal and cosmic in which matter is going to trans-atomize into a pure, fluttering
current of color energy as it was at the beginning of the primordial Chaos when
everything came into being from an a-dimensional wave of vibrating, running
energy.
As everything took its
origins from an a-dimensional wave of vibrating and flowing energy that got
atomized through the work of conscience, in the same way the contrary is
possible: everything can go back to the original a-dimensional wave through a
gradual process of de- materialization and trans-atomization thanks to the
technique of “Free Sprinkling Overflowing and Sparkling” in order to reach
eventually the Primordial Chaos.
The “Free Sprinkling Overflowing and Sparkling”
technique lets the colors flow as the wind, as a river in flood that overwhelms
and sweeps everything away; it destructures every form belonging to a mythical
world which is dying out together with its Arcadian – Euclidean reality, a
reality which was formerly conceived as an idea of order and which later went
through a process of Alchemic – Krometamorphic “crushing”, coming eventually to
pure Chaos: a cosmic, extraordinary Chaos with no bounds, intersected by the
hyper-elliptic and hyper-dimensional movements of the Universe and of a mind
that dissolves all its thoughts into the krometamorphic “magma” of the soul.
A true work of art can never be made subservient
neither to a mythical reality nor to representational art. On the contrary, it
will have to be a pure eidetic vision representing a world which is both inward
and cosmic, a world to be transfigured into a hyper-dimensional geometry
through an alchemic and dynamic Krometamorphosis coming eventually to
primordial trans-atomization thanks to that free and magic sprinkling of color
I named “Free Sprinkling Overflowing and Sparkling”, the true horizon from which
everything takes its origins.
Through a long search path starting from the
primordial colored form the artist reaches chromatic “trans-atomization” or
atom dematerialization. Evolution leads to an actual alchemic and dynamic
“krometamorphosis” which dematerializes the picture through the technique of
“Free Sprinkling Overflowing and Sparkling”, a magic and masterly sprinkling
that sets the colors free from the mythical and well defined pictorial forms of
an Arcadian- Euclidean world, a world to be transfigured into a new,
contemporary vision of the artist thanks to a process of cosmic and mental
dynamism.
Let each color freely
dance on the white canvas, transmute every image belonging to a mythic
Arcadian-Euclidean world, now outdated, in pure contemporary vision crossed by
the hyper-elliptical and hyperdimensional geometry of the Universe, by means of
a progressive transcendental Kromotrance which suddenly projects every artist
into a totally ecstatic dimension thanks to the free and magical komomoalchemic
sprinkling that transforms and transfigures everything and which can also
achieve, through a spontaneous and decisive Free Sprinkling Overflowing and
Sparkling, the final stage of the absolute transatomization of any object
represented , thus allowing us to grasp the truest and most profound essence of
everything.
From the hyper-elliptical, curvilinear and
hyperdimensional movements of the trans-geometry of deep Universes, the new
dynamic, abstract, cosmic, eternal form will be generated in a new and pure
eidetic and transcendental vision.
Everything can start from a dimensionless wave
of luminous energy, flowing and vibrating with endless possibilities; then
conscience will make it collapse with observation , transforming it into
corpuscular atoms and phenomena, realizing only one of the many possibilities,
just like the phenomenon of the Big bang that realized one of the infinite
possibilities and possible logics; in the same way the artist realizes only one
of the many possible visions.
Colours in Free
Sprinkling Overflowing and Sparkling stream on the white canvas, free and
overwhelming in the swirling hyperelliptic and hyperdimensional curves of the
Universe and of the Soul, leading the artist - through a constant alchemic
search - to Transcendental Kromotrance, that is to say a new global and
ecstatic vision of the Cosmos which can suddenly open us new horizons and make
us overstep every possible limit and cross over the infinite.
To paint like a savage, a primitive, with no
rules and no time, just following pure instinct; to apply trans - geometry and
overturning the cosmic coordinates of the mythical Arcadian-Euclidean world in
order to transfigure it completely thanks to transcendental Kromotrance which
can change every image into a pure immediate vision, every sound into music and
every word in eternal poetry through that magic and free aspersion of colour
called Free Sprinkling Overflowing e Sparkling, which transforms everything and
trans - atomizes everything, thus allowing us to seize the true and deepest
essence of the whole Universe.
Every image, every shape must be transformed by
the artist in perfect, timeless vision through an alchemic process of dynamic
krometamorphosis and it can be trans - atomized through that skillful and magic
aspersion of colour called Free Sprinkling Overflowing and Sparkling. At the
same time, every image and every shape can also be projected onto the
hyperelliptical and hyperdimensional shapes of the Universe and it can be
transfigured by the unrestrained impulse of the Soul which is alive and
throbbing with strong feelings and infinite emotions in a space and in a time
which are universal and can be reached only through a progressive Transcendental
Kromotrance.
From
"Transcendental Eidetics of
Art"
by Massimo Paracchini
PHASES OF ARTISTIC RESEARCH
INTERFERENCE OF THOUGHT AND
SOUL
CHROMATIC CRUSHING OF
ALCHEMICAL SPACE
FREE SPRINKLING ALCHEMIC AND COSMIC
FROM EIDETIC AND VISIONARY
TRANSFUTURISM
PRIMORDIAL CHROMATIC TRANSATOMISM
WAVELIKE LIGHTNING
KROMATIC ENERGHEIA
FREE SPRINKLING OVERFLOWING AND
SPARKLING
HYPERELLIPTICAL GEOMETRY
HYPERDIMENSIONAL GEOMETRY AND
PHYSICS
ALCHEMICAL, DYNAMIC AND ORPHIC
KROMETAMORPHISM
ALCHEMICAL, COSMIC AND ORPHIC
KRONOMETAMORPHISM
ASTRA-GEOMETRIC EXPRESSIONISM
TRANSGEOMETRIA
KROMOTRANCE
KRONOTRANCE
KROMOHYPNOSIS
KRONOHYPNOSIS
KROMOENERGY
KROMOGENESYS
CENTRIPETAL AND CENTRIFUGAL
FORCE AND MOTION
KROMOEXPLOSION
KROMOEXPANSION
COLLISION
VORTEX
Qualifications: he
was initially neo-figurative painter,
then he tended towards expressionism,
cubism, futurism, conceptual, abstract and informal art.
Theories: Cosmic Alchemical Free Sprinkling, Eidetic and Visionary Transfuturism, The
Primordial Chromatic Transatomism, the
Interferences of the Thought and the Soul, theHhyper-Elliptical and Hyperdimensional
Geometry, the Free Sprinkling Overflowing and Sparkling, the Wavelike
Lightning, the Alchemical Dynamic and
Orphic Krometamorfism, the Chromatic
crumbling of the Alchemic Space, the Kromatic
Energheia , the Alchemical Cosmic
and Orphic Kronometamorphism, the Astra-Geometric Expressionism, the
Transgeometry, the Kromotrance, the Kronotrance, the Kromohypnosis, the
Kronohypnosis, the Kromoenergy, the Kromogenesys , the Centripetal and
Centrifugal Force and Motion, the Kromoexplosion, the Kromoexpansion,
Collision, Vortex.
Education: he graduated
in Modern Literature and Art with Andreina Griseri, student of Prof. F. G.
Rinone.
https://
artcontest.biancoscuro.it/site/massimo-paracchini-2
Subjects: animals,
figures, flowers, still lifes, landscapes, portraits, abstract and informal.
Techniques:
acrylic, oil, mixed technique, tempera
Competitions: in
the years 1977 / '78 / '79 / '80 in he took part in the
"Il Gabbiano" competition, and obtained various cups and medals. In
2014, at Studio D'Arte 256 in Vercelli, he won the 1st prize in painting
(Memorial Pierino Monfrinotti). In 2016 in Milan he won the Tiepolo
International Award and in Cesenatico he won the "La Vela d'oro for art
2016" Trophy. In 2017 he obtained the International Galileo Galilei Prize
in Pisa in the Galileo Galilei hall
inside the Palazzo dei Congressi.he took part in the XV City of Savona Grand Prix "The
shadow and light" ranking in third place. He took part in and won the "World Art Collection
2017" Trophy in Genoa at the NH Hotel Marine Collection - Porto Antico.
After being chosen by Vittorio Sgarbi, he took part in and won the "Arte Milano International
Prize" at the Dal Verme Theater in Milan. It was awarded by Critic and
Editor F. Chetta and by the International Critic J. C. Spina with the "III
° Trophée Cote d'Azur 2017" for artistic merit. He obtained the "Prize of the Critics 2018" at
the Genoa Art Fair, as a result of his commitment and his artistic research. He
entersed the Vittorio Sgarbi Collection with the photolithographic reproduction
of two of his works that will be archived, numbered and officially acquired in
the collection of drawings and prints of the "Sgarbi Collection" of
Villa Cavallini.
Exhibitions: Alice Castello, Arona, Biella,
Borgomanero, Casale, Cesenatico, Ferrara, Genoa, Marcon, Milan, Monza, New
York, Noli, Novara, Omegna, Piacenza, Pisa, Prarolo, Santhià, Santo Stefano
Belbo, Santo Stefano al Mare , Savona, Varallo, Varazze, Venice, Vercelli,
Washington.
Critics: cited by
the specialized press. Present in the most prestigious yearbooks and catalogues
of modern and contemporary art.
Critics: S. Russo, S. Serradifalco, T. Tamburi, M.
Della Torre, C. Rosso, A. Odone, R. Filippi, F. Chetta, G. Prassi, C. Counted,
S. Di Tano, G. Barberis, P. Ferraro, M. Catalano, E. Cicchetti, P. Levi,
Mariarosaria Belgiovine, PL Pensotti, V. Sgarbi and others.
References: Meeting Art Auction House in Vercelli
(Corso Adda, 7-11), Nelson Cornici
Gallery in Vercelli (Via Walter Manzone, n.55) and Noli Art Gallery in Noli (SV) (Loggia della
Republic, No. 11).
